RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,


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RAFFAELLO Sanzio Spozalizio (detail) jkfg oil


Spozalizio (detail) jkfg
Painting ID::  8717
Spozalizio (detail) jkfg
1504 Oil on roundheaded panel Pinacoteca di Brera, Milan
1504 Oil_on_roundheaded_panel Pinacoteca_di_Brera,_Milan
   
   
     

RAFFAELLO Sanzio Spozalizio (detail) at oil


Spozalizio (detail) at
Painting ID::  8718
Spozalizio (detail) at
1504 Oil on roundheaded panel Pinacoteca di Brera, Milan
1504 Oil_on_roundheaded_panel Pinacoteca_di_Brera,_Milan
   
   
     

RAFFAELLO Sanzio The Three Graces F oil


The Three Graces F
Painting ID::  8720
The Three Graces F
1504-05 Oil on panel, 17 x 17 cm Mus??e Cond??, Chantilly
1504-05 Oil_on_panel,_17_x_17_cm Mus??e_Cond??,_Chantilly
   
   
     

RAFFAELLO Sanzio Allegory (The Knight's Dream) oil


Allegory (The Knight's Dream)
Painting ID::  8721
Allegory (The Knight's Dream)
c. 1504 Oil on wood, 17 x 17 cm National Gallery, London
c._1504 Oil_on_wood,_17_x_17_cm National_Gallery,_London
   
   
     

RAFFAELLO Sanzio The Granduca Madonna at oil


The Granduca Madonna at
Painting ID::  8722
The Granduca Madonna at
1504 Oil on wood, 84 x 55 cm Galleria Palatina (Palazzo Pitti), Florence
   
   
     

       Prev  1  2  3  4  5  6  7  8  9  10   Next
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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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